Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 64 No 2, Waltz in C♯ minor
Both the additional slur in bars 16-17 and the visible connection of slurs at the transition between these bars in A clearly prove Chopin's intention with regard to the phrasing in this place. The two-bar slur of AI cannot be considered to be a full-fledged variant in this situation, particularly considering the fact that Chopin did not write slurring in bars 9-16 in this autograph at all.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Slurs
