Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 64 No 2, Waltz in C♯ minor
In AI, in which there is no upbeat, the slur begins from the first sixth.
Generally, the slurring of AI is fragmentary – beside a few single slurs, it embraces only bars 1-8 and 17-25 and 65-96. Due to this fact, we do not consider the absence of slurs throughout longer sections to be variants and we do not discuss it in detail, since it does not convey any message concerning the performance.
In As the slurs appear only occasionally, in bars 10, 32 and 89, and it is only there where we mention the slurring of the draft.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Slurs
