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b. 31-32
In analogy to bars 159–160 in some of later collective editions an analogous version was introduced also here. Examples of minor diversifications, introduced at repetitions of similar phrases, are too numerous in Chopin's music in order to consider such a unification to be justified. Cf., e.g., the Mazurka in G minor, Op. 24 No. 1, bar 57.
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category imprint: Source & stylistic information
notation: Pitch