Page: 
Source: 
p. 3, b. 62-94
p. 1, b. 1-30
p. 2, b. 31-61
p. 3, b. 62-94
p. 4, b. 95-124
Main text
Main text
As - Autograph sketch
AI - Autograph I
AII - Autograph Caraman
AIII - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Second French Edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edition of Op. 64
GE1Db - First German edition of Waltz No 1
GE2op - Second German edition of Op. 64
GE2Db - Second German edition of Waltz No 1
GE3 - Corrected impression of GE2op
GE3Db - Third German edition of Waltz No 1
GE4Db - Revised impression of GE3Db
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of WaW1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
As - Autograph sketch
AI - Autograph I
AII - Autograph Caraman
AIII - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Second French Edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edition of Op. 64
GE1Db - First German edition of Waltz No 1
GE2op - Second German edition of Op. 64
GE2Db - Second German edition of Waltz No 1
GE3 - Corrected impression of GE2op
GE3Db - Third German edition of Waltz No 1
GE4Db - Revised impression of GE3Db
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of WaW1
Importance
All
Important
Main
Prezentacja
Select 


  b. 87-92

4 hairpins in A

3 hairpins in FE (→EE) & GE2DbGE3DbGE4Db)

1 hairpin in GE1Db

2 hairpins in GE1op (→GE2op→#GE3op)

4 hairpins suggested by the editors

Generally, the dynamic hairpin in GE is incomplete and erroneous in these bars. The traces visible in FE prove that the mistake was committed first in this edition, which, through a proof copy, went into GE. In FE (→EE) the signs were corrected and completed in the last phase of proofreading, perhaps with Chopin's participation. A possible reason of mistakes of the engraver of FE could have been the abbreviated notation of A with dynamic signs, which could have impeded their assignment to correct bars. In the main text we suggest signs of FE in bars 87-90, analogous to signs in bars 15-18 and perhaps corrected by Chopin. In turn, in bars 91-92 we give signs of A, since in FE the sign in bar 91 was probably accidentally overlooked.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE, Errors in GE, GE revisions, Authentic corrections of FE, Inaccuracies in A

notation: Articulation, Accents, Hairpins

Missing markers on sources: EEC, FE1, FED, FES, As, AII, A, AI, AIII, EEW1, GE1Db, GE1op, GE2Db, GE2op, GE3Db, GE4Db, GE3, EEW2, FE2