Issues : Main-line changes

b. 27

composition: Op. 64 No 1, Waltz in D♭ major

e in chords in As

No e in remaining sources

..

The present in As e notes in the chords on the 2nd and 3rd beat of the bar do not appear in any of the later sources. It cannot be excluded that writing the remaining three components of these chords in bold type de facto meant a planned resignation from these sounds already at the stage of working on As. It is even more likely considering the fact that in the sketch one can see the change of the 4th quaver in the R.H. from g1 to e1, which most probably determined the deletion of e from the accompaniment.

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Main-line changes