Page: 
Source: 
p. 5, b. 109-140
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-78
p. 4, b. 79-108
p. 5, b. 109-140
p. 6, b. 141-171
Main text
Main text
As - Autograph sketch
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edtion of Op. 64
GE1Ab - First German edtion of Waltz in A♭ major
GE2op - Second German edition of Op. 64
GE2Ab - Second German edition of Waltz in A♭ major
GE3op - Corrected impression of GE2op
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Differences
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As - Autograph sketch
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edtion of Op. 64
GE1Ab - First German edtion of Waltz in A♭ major
GE2op - Second German edition of Op. 64
GE2Ab - Second German edition of Waltz in A♭ major
GE3op - Corrected impression of GE2op
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
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  b. 110-111

 in A, literal reading

 up to f2 in FE

 1 bar in GE1op, GE1Ab (→GE2Ab) & EE

No sign in GE2op (→GE3op)

According to us, the notation of A clearly suggests a continuation of the  hairpin in bar 111, which was not written out, in accordance with a sign corresponding it in bar 3. In the editions, however, it was only the sign in bar 110 that was more or less accurately reproduced. 

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Scope of dynamic hairpins, Errors in GE, EE inaccuracies

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FED, A, GE1op, GE2op, GE1Ab, GE2Ab, EEW1, EEW2, EEC, As, GE3op, FES