Page: 
Source: 
p. 1, b. 1-24
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-78
p. 4, b. 79-108
p. 5, b. 109-140
p. 6, b. 141-171
Main text
Main text
As - Autograph sketch
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edtion of Op. 64
GE1Ab - First German edtion of Waltz in A♭ major
GE2op - Second German edition of Op. 64
GE2Ab - Second German edition of Waltz in A♭ major
GE3op - Corrected impression of GE2op
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
As - Autograph sketch
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edtion of Op. 64
GE1Ab - First German edtion of Waltz in A♭ major
GE2op - Second German edition of Op. 64
GE2Ab - Second German edition of Waltz in A♭ major
GE3op - Corrected impression of GE2op
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
Importance
All
Important
Main
Prezentacja
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  b. 13-14

In A one can see deletions in the part of the L.H. Chopin replaced a typical, dance accompaniment of the waltz with a two-bar progression of dyads, most probably in the version written in As.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Corrections in A

notation: Pitch

Missing markers on sources: FE1, FED, A, GE1op, GE2op, GE1Ab, GE2Ab, EEW1, EEW2, EEC, As, GE3op, FES