Page: 
Source: 
p. 5, b. 109-140
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-78
p. 4, b. 79-108
p. 5, b. 109-140
p. 6, b. 141-171
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As - Autograph sketch
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edtion of Op. 64
GE1Ab - First German edtion of Waltz in A♭ major
GE2op - Second German edition of Op. 64
GE2Ab - Second German edition of Waltz in A♭ major
GE3op - Corrected impression of GE2op
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
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As - Autograph sketch
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edtion of Op. 64
GE1Ab - First German edtion of Waltz in A♭ major
GE2op - Second German edition of Op. 64
GE2Ab - Second German edition of Waltz in A♭ major
GE3op - Corrected impression of GE2op
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
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  b. 117

No mark in the sources

Accent suggested by the editors

At the return of the main theme (bars 109-140), Chopin provided the last crotchet of the bars opening new phrases with an accent, in every place where they were written out. Therefore, it seems to be highly likely that the accent is to be applied also here and that its absence is an oversight of Chopin, resulting from the use of the brief notation of certain fragments.

Compare the passage in the sources »

category imprint: Interpretations within context; Editorial revisions

issues: Inaccuracies in A

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FED, A, GE1op, GE2op, GE1Ab, GE2Ab, EEW1, EEW2, EEC, As, GE3op, FES