Issues : Errors in FE

b. 9

composition: Op. 64 No 3, Waltz in A♭ major

Pedalling in A

No pedalling in FE (→GE,EE)

..

The lack of pedal markings is almost certainly an oversight of the engraver of FE (→GE,EE).

category imprint: Differences between sources

issues: Errors in FE

b. 13-14

composition: Op. 64 No 3, Waltz in A♭ major

No pedal change in A

Pedal change in FE (→GE,EE)

..

An additional change of pedal at the transition between bars 13 and 14 is most probably a mistake of the engraver of FE (→GE,EE), perhaps caused by deletions in A. Similarly in all analogous places – bars 29-30 and 121-122, which may suggest a unifying revision, since the awkwardness of this pedalling is evident. 

category imprint: Differences between sources

issues: Errors in FE

b. 13-14

composition: Op. 64 No 3, Waltz in A♭ major

Slur in A, EEC & EEW2

No slur in FE (→GE,EEW1)

..

The missing slur over the dyads is most probably an oversight of the engraver of FE (→GE,EEW1). Same as in the case of the pedalling, the mistake could have been provoked by deletions in A, hindering the interpretation of the composer's intention.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Errors resulting from corrections

b. 29-30

composition: Op. 64 No 3, Waltz in A♭ major

No pedal change in A

Pedal change in FE (→GE,EE)

..

The pedalling of FE (→GE,EE) is certainly erroneous.

category imprint: Differences between sources

issues: Errors in FE

b. 29-30

composition: Op. 64 No 3, Waltz in A♭ major

..

In A (→FEEEW1) there are no naturals raising d3(2) to d3(2). In the remaining sources the mistake was corrected. Cf. bars 13-14.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omitted correction of an analogous place