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Issues : Authentic corrections of FE
b. 13-14
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composition: Op. 64 No 3, Waltz in A♭ major
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The sharps raising d category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Authentic corrections of FE |
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b. 33
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composition: Op. 64 No 3, Waltz in A♭ major
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A cautionary category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 47
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composition: Op. 64 No 3, Waltz in A♭ major
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In As (→A) there is no category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 49
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composition: Op. 64 No 3, Waltz in A♭ major
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All three source versions are most probably authentic and prove the composer's hesitation and the quest for the smoothest formula for this motif. In the main text, we give probably the latest version of GE (the middle g1-a category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of GE |
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b. 51
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composition: Op. 64 No 3, Waltz in A♭ major
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In A there are no naturals raising d category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Authentic corrections of FE , Inaccuracies in A |