![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Authentic corrections of FE
b. 91
|
composition: Op. 64 No 3, Waltz in A♭ major
..
In A there is no cautionary category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
||||||||
b. 93-98
|
composition: Op. 64 No 3, Waltz in A♭ major
..
The notation of the accidentals in this fragment of A is inaccurate – there is not any flat lowering e2(1) to e category imprint: Interpretations within context; Differences between sources issues: Cautionary accidentals , Omission of current key accidentals , Errors of A , Authentic corrections of FE |
||||||||
b. 95
|
composition: Op. 64 No 3, Waltz in A♭ major
category imprint: Differences between sources issues: Authentic corrections of FE |
||||||||
b. 99
|
composition: Op. 64 No 3, Waltz in A♭ major
..
The slur over the pair of chords could have been added by Chopin in the proofreading of FE. In GE1Ab it was moved under the chords, as a result of which it can be considered to be a tie of f1. category imprint: Differences between sources issues: Placement of markings , GE revisions , Authentic corrections of FE |
||||||||
b. 100
|
composition: Op. 64 No 3, Waltz in A♭ major
..
In A there are no accidentals in the part of the R.H. This patent in this context oversight was corrected in FE (→GE,EE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Omission of current key accidentals , Authentic corrections of FE , Inaccuracies in A |