Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 64 No 3, Waltz in A♭ major
In A the bars are marked briefly as a repetition of bars 3-6. Initially, the brief notation embraced also bar 131 (7), which, however, was then written out with notes, whereas the part of the R.H. is almost completely illegible on the available photocopy. It is hard to state what the reason of adding bar 131 was, since it differs from bar 7 only in the absence of the 
hairpin. Chopin may have still hesitated what shape the melody in this bar should have.
Compare the passage in the sources »
category imprint: Source & stylistic information
issues: Abbreviated notation of A
notation: Shorthand & other