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Source: 
p. 6, b. 70-83
p. 1, b. 1-14
p. 2, b. 15-24
p. 3, b. 25-39
p. 4, b. 40-54
p. 5, b. 55-69
p. 6, b. 70-83
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 77-79

2 different accents in FC

3 different accents in FE

2 short accents in EE & GE

2 long accents suggested by the editors

In the main text, we give the accent in bar 79 on the basis of FC, where it could have been written by Chopin (cf. bars  71-75). The sign in bar 77 is probably the original version of the accent, left by inattention, analogous to the signs present in the passages including one bar only, hence we suggest there a long accent based on analogous bars. This is the notation, probably original, that is included in FE in bar 77 and in EE and GE in both discussed bars. The notation of FE in bar 79, used in this context only there, may be erroneous (see also bars 74-76).

See b. 15-19

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Inaccuracies in GE, Omitted correction of an analogous place, Authentic corrections of FC

notation: Articulation, Accents, Hairpins

Missing markers on sources: FED, FEJ, FES