Page: 
Source: 
p. 6, b. 70-83
p. 1, b. 1-14
p. 2, b. 15-24
p. 3, b. 25-39
p. 4, b. 40-54
p. 5, b. 55-69
p. 6, b. 70-83
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Main text
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Articulation, Accents, Hairpins
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 81-82

No marks in FC (→GE) & EE

Short accents in FE

Long accent suggested by the editors

The accents in the R.H., present only in FE, could have been added by Chopin in the proofreading of this edition. According to us, it is, however, more likely that Chopin wrote in the base text only the first accent, while in FE it was multiplied, interpreting the repetition signs, used for an abbreviated notation of the following semiquaver groups. Taking this into account, in the main text we suggest only one accent and due to the fact that it closes the regular rhythmic and melodic structure of bars 71-80, we adjust its shape and placement to the previous accents.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Long accents, Errors in FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: FED, FEJ, FES