Page: 
Source: 
p. 6, b. 70-83
p. 1, b. 1-14
p. 2, b. 15-24
p. 3, b. 25-39
p. 4, b. 40-54
p. 5, b. 55-69
p. 6, b. 70-83
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FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
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GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
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EE1 - First English edition
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EE3 - Revised impression of EE2
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  b. 81-82

In FC – certainly in accordance with [A] – the 2nd, 3rd and 4th groups of semiquavers in the R.H. are written in an abbreviated manner as repetition of the first. Entire bar 82 is also not written with notes. A similar notation was most probably present in all Stichvorlage manuscripts, which probably caused a number of inaccuracies in reproducing Chopin's intention – cf. the notes on accents,  hairpins and slurs.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Abbreviated notation of A

notation: Shorthand & other

Missing markers on sources: FED, FEJ, FES