mUltimate Chopin

Op. 25 No 12, Etude in C minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 6, b. 70-83
p. 1, b. 1-14
p. 2, b. 15-24
p. 3, b. 25-39
p. 4, b. 40-54
p. 5, b. 55-69
p. 6, b. 70-83
Main text
Main text
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Articulation, Accents, Hairpins
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Pedalling
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Differences
No differences
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 78-80

Pedal changes in FC (→GE) & EE

Four-bar pedal in FE

In the main text, we give the pedalling of FE, which in this case does not seem to be a result of oversight of signs. Combining the bars based on one chord is very characteristic for Chopin pedalling; in this place it perfectly matches the maximal dynamics of this triumphal, culminant ending of the cycle.

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Pedalling

Missing markers on sources: FED, FEJ, FES
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