Page: 
Source: 
p. 4, b. 40-54
p. 1, b. 1-14
p. 2, b. 15-24
p. 3, b. 25-39
p. 4, b. 40-54
p. 5, b. 55-69
p. 6, b. 70-83
FE1 - First French edition
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
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EE3 - Revised impression of EE2
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
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GE1a - Another copy of #GE1
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GE3 - Revised impression of GE2
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EE3 - Revised impression of EE2
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  b. 43-44

Different accents in FC

Accents below L.H. part in FE & GE1

Pairs of accents in EE

Accents between notes in GE2 (→GE3)

Same as in the previous two bars, all source notations certainly mean the same – an accent referring to both notes on the 9th semiquaver of the bar. Marking it with a pair of accents could have been introduced into the base text to EE by Chopin, although additions of single accents by the editor also seem to be likely.

See b. 15-19

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: FED, FEJ, FES