mUltimate Chopin

Op. 25 No 12, Etude in C minor

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Fingering
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

Fingering

b. 1

composition: Op. 25 No 12, Etude in C minor

No fingering in FC (→GE), FE & EE1

Fingering in EE2 (→EE3)
..

The fingering added in EE2 (→EE3) is non-authentic, although undoubtedly correct. Cf. bar 27.

category imprint: Differences between sources

issues: EE revisions

b. 14

composition: Op. 25 No 12, Etude in C minor

No fingering in sources

Fingering given in bar 69
..

In the main text we give here Chopin fingering, written under an identical passage in bar 69 (cf. General Editorial Principles, p. 17).

category imprint: Editorial revisions

b. 27

composition: Op. 25 No 12, Etude in C minor

No fingering in FC (→GE), FE & EE1

Fingering in EE2 (→EE3)
..

In EE2 (→EE3) the fingering was developed in accordance with the scheme valid in the entire Etude.

category imprint: Differences between sources

issues: EE revisions

b. 69

composition: Op. 25 No 12, Etude in C minor

Fingering in FC (→GE) & EE3

No fingering in FE & EE1 (→EE2)
..

The fingering of FC (→GE) could have been added by Chopin. In EE3 it was repeated after GE.

category imprint: Differences between sources

issues: EE revisions