Page: 
Source: 
p. 5, b. 45-54
p. 1, b. 1-12
p. 2, b. 13-22
p. 3, b. 23-32
p. 4, b. 33-44
p. 5, b. 45-54
p. 6, b. 55-64
p. 7, b. 65-74
p. 8, b. 75-84
p. 9, b. 85-96
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 51

Longer slur in GC & GE2 (→GE3)

Triplet slur in FE & EE

Two slurs in GE1

The original slurring of this bar was the same as in bar 49. In GC (→GE) one can see extension of the "triplet" slur performed by Chopin, so it includes also the two adjacent octaves (preserving the triplet slur in GE1 certainly does not correspond to Chopin's intention).

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections in GC

notation: Slurs

Missing markers on sources: GC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3