Page: 
Source: 
p. 1, b. 1-12
p. 1, b. 1-12
p. 2, b. 13-22
p. 3, b. 23-32
p. 4, b. 33-44
p. 5, b. 45-54
p. 6, b. 55-64
p. 7, b. 65-74
p. 8, b. 75-84
p. 9, b. 85-96
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GE1a - Another copy of #GE1
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GE3 - Revised impression of GE2
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EE3 - Revised impression of EE2
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GC - Gutmann's Copy
FE - French edition
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FED - Dubois copy
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FES - Stirling copy
GE - German edition
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GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
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EE3 - Revised impression of EE2
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  b. 1-5

in bar 5 in GC (→GE) & EE

in bar 1 in FE

Placing a metronome marking at the beginning of the Etude in FE is certainly a mistake. This edition adopted – in the entire Opus 25 and in other pieces – a graphical solution consisting in placing indications concerning metronome not above the notes (next to the tempo indication), yet in the indent of the first line of the note text. The rule was applied also here, not taking into account the fact that it is misleading in relation to the different tempo of the first four bars.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in FE

notation: Verbal indications

Missing markers on sources: GC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3