mUltimate Chopin

Op. 25 No 11, Etude in A minor

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Page: 
Source: 
p. 8, b. 75-84
p. 1, b. 1-12
p. 2, b. 13-22
p. 3, b. 23-32
p. 4, b. 33-44
p. 5, b. 45-54
p. 6, b. 55-64
p. 7, b. 65-74
p. 8, b. 75-84
p. 9, b. 85-96
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 82

No fingering in GC (→GE)

Fingering in FE & EE

Lack of fingering in GC (→GE) is a result of an oversight – it is either Chopin who omitted GC, while proofreading and completing the performed Stichvorlage manuscripts, or the copyist who overlooked the fingering at the time of copying.

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Fingering

Missing markers on sources: GC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3
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