Issues : Inaccuracies in FE
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b. 1
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composition: Op. 25 No 11, Etude in A minor
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The use of the category imprint: Differences between sources issues: Changes of metre , Inaccuracies in GE , Inaccuracies in FE , GE revisions , 4/4 or 2/2 |
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b. 12
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composition: Op. 25 No 11, Etude in A minor
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The wedge in GC, confirmed by EE, was reproduced in GE as a staccato dot. Therefore, the evaluation of the authenticity of the dot in FE also advises caution. The tendency to interpret wedges as dots was very clear in the B&H publishing houses – cf., e.g., the Nocturne in D category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Wedges |
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b. 17
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composition: Op. 25 No 11, Etude in A minor
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The too early placed ending of the octave sign makes the 4th semiquaver of the 2nd half of the bar in FE sound as b category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE |
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b. 58
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composition: Op. 25 No 11, Etude in A minor
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Before the 5th semiquaver there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Inaccuracies in FE , GE revisions , Inaccuracies in GC |
time signature surprises only in 
indication was not used in the Etudes – contrary to the manuscripts – at all, both in Op. 25 and in 
major, 
minor, Op. 39, 
in