Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 25 No 11, Etude in A minor
In the 2nd half of the bar the only accidental in the part of the R.H. in GC and FE is a 
raising d3 to d
3. The notation, although inaccurate, determines also the sound of the 6th and 10th semiquavers in the 2nd half of the bar as d2 and d1. EE added a before the 3rd semiquaver from the end (d1) and an unnecessary before g2 in the 3rd group of semiquavers. It is only GE that includes the correct notation, in which alteration of the 3rd, 7th and 11th semiquavers to f3, f2 and f1 was indicated. See bar 11.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Errors in FE, Errors in EE, GE revisions, Omission of current key accidentals
notation: Pitch