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p. 6, b. 104-119
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In GC (→GE1) and EE, there are no accidentals before the crotchets, so they should read as c
and c2. In spite of the fact that the version does not raise any doubts as far as the sound is concerned, the omission of the naturals is proved by:
- the logic of harmony – this and the previous triplet create an abbreviated version of the motif used in the progression in bars 109-112. In this abbreviated version it is then repeated twice in the further part of bars 113-114. There is no reason to resign from the semi-tone movement of crotchets filling the octaves in one place only;
-
misleading chromatic orthography – change from d
to c despite preserving regular notation of the octaves in the F minor key; - signs added – probably by Chopin – in the proofreading of FE.
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category imprint: Interpretations within context; Differences between sources
issues: Errors in EE, Errors in GE, GE revisions, Omission of current key accidentals, Authentic corrections of FE, Errors of GC
notation: Pitch
Missing markers on sources:
GC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3