Page: 
Source: 
p. 5, b. 79-103
p. 1, b. 1-13
p. 2, b. 14-28
p. 3, b. 29-53
p. 4, b. 54-78
p. 5, b. 79-103
p. 6, b. 104-119
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 98

Grace note in GC, FE & GE2 (→GE3)

Slur & grace note in EE

Grace note & tie in GE1

Slur, grace note & arpeggio sign suggested by the editors

The arpeggio preceded with a grace note is a very characteristic ornament for Chopin – cf., e.g., the Etude in A minor, No. 4, bar 63. It is almost certain that Chopin thought about this type of figure also in the discussed bar. The little slur added in GE1, changing the sense of the ornament, is certainly non-authentic. In turn, the notation of EE may come from Chopin (cf. bar 96) and we adopt it as the base of our, completed with the sign of arpeggio, suggestion of the main text.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

notation: Ornaments

Missing markers on sources: GC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3