Page: 
Source: 
p. 2, b. 14-28
p. 1, b. 1-13
p. 2, b. 14-28
p. 3, b. 29-53
p. 4, b. 54-78
p. 5, b. 79-103
p. 6, b. 104-119
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 27

F1-F in GC (→GE) & FE

F1-F in EE

The version of EE is vitiated by an uncertainty concerning its authenticity – it can be a mistake or revision, which cannot be stated without the manuscript base text to this edition or other additional pieces of source information. Therefore, in the main text we give the compatible version of the remaining sources. As far as the music is concerned, the version of EE seems to be less convenient, as it omits F in the progression of bass, without any specific reason, which is the base of the initial and final chord of the dominant in the B minor/B major key: (F)-E-D-E-F(!)-A.

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions

notation: Pitch

Missing markers on sources: GC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3