Page: 
Source: 
p. 1, b. 1-13
p. 1, b. 1-13
p. 2, b. 14-28
p. 3, b. 29-53
p. 4, b. 54-78
p. 5, b. 79-103
p. 6, b. 104-119
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Rhythm
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Articulation, Accents, Hairpins
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Pedalling
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Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 1

in GC, EE & GE2 (→GE3)

in FE & GE1

The use of the  time signature is surprising only in GE1, as FE did not use the  indication in the Etudes – contrary to the manuscripts – even once, neither in Op. 25 nor in Op. 10 and in the Etude in F minor, Dbop. 36 No. 1 (cf. also the Impromptu in A major, Op. 29). Anyways, the correctness and authenticity of the  time signature is undeniable with respect to the compatible version of GC and EE.
The correct time signature returned in GE2 (→GE3).
Similarly in bar 104. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: Changes of metre, Inaccuracies in GE, Inaccuracies in FE, GE revisions, 4/4 or 2/2

notation: Rhythm

Missing markers on sources: GC, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3