Page: 
Source: 
p. 3, b. 21-50
p. 1
p. 2, b. 1-20
p. 3, b. 21-50
p. 4, b. 51-86
p. 5, b. 87-114
p. 6, b. 115-119
p. 7
GC - Gutmann's Copy
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
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Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Ornaments
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Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Importance
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Important
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copy link PDF GC - Gutmann's Copy


  b. 50

Minim f in GC (→GE1)

Dotted minim in FE & EE

Dotted crotchet in GE2 (→GE3)

Lack of the dot extending the f minim in GC (→GE1) seems to be the copyist's error – in analogous bar 70 GC has a dot, it is also in both bars both in FE and EE. The version of GE2 (→GE3) is logic, yet in order to be considered compatible with Chopin's intention, one should assume that in both bars the composer committed a patent mistake in a simple situation (differently than in bar 46). 

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions

notation: Rhythm

Missing markers on sources: GC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3