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Issues : GE revisions
b. 1
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composition: Op. 25 No 10, Etude in B minor
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In the main text we give the title and dedication after the title page of the entire Opus in GC and FE. category imprint: Differences between sources issues: EE revisions , Dedications , GE revisions |
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b. 1
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composition: Op. 25 No 10, Etude in B minor
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The use of the category imprint: Differences between sources issues: Changes of metre , Inaccuracies in GE , Inaccuracies in FE , GE revisions , 4/4 or 2/2 |
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b. 4-5
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composition: Op. 25 No 10, Etude in B minor
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In GC both the end of the slur in bar 4 (at the end of the line) and the beginning of the slur in bar 5, starting the new line, are written with such an extensive movement that they can be interpreted as one slur. According to us, it is, however, more likely that Chopin wanted to emphasise the beginning of the theme with a new slur. category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions , Inaccuracies in GC |
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b. 6
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composition: Op. 25 No 10, Etude in B minor
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The sharps returning f category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions |
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b. 11
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composition: Op. 25 No 10, Etude in B minor
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In GC (→GE1), FE and EE there are no naturals returning B-b. This patent oversight was corrected in GE2 (→GE3). category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions |