Issues : EE revisions
- « Previous
- 1
- 2
- Next »
b. 60
|
composition: Op. 25 No 10, Etude in B minor
..
The extension of d1 in the 5th octave and deletion of b in the 6th quaver are the last of the changes, introduced probably in the proofreading of FE, separating an additional melodic line within the octaves. EE2 adopted the changes, yet EE3 – most probably under the influence of GE – reintroduced the b note. Similarly in bar 80. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE |
||||||
b. 65
|
composition: Op. 25 No 10, Etude in B minor category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections in GC |
||||||
b. 80
|
composition: Op. 25 No 10, Etude in B minor
category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE |
||||||
b. 98
|
composition: Op. 25 No 10, Etude in B minor category imprint: Differences between sources issues: EE revisions |
||||||
b. 116
|
composition: Op. 25 No 10, Etude in B minor
..
There are no accidentals before the last octave in the R.H. in GC and EE1 (→EE2). Chopin added the overlooked naturals in the proofreading of FE, they are also in GE and EE3. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Authentic corrections of FE |
- « Previous
- 1
- 2
- Next »