mUltimate Chopin

Op. 25 No 10, Etude in B minor

Text Compare Notes Sources Description

Issues : EE revisions

b. 60

composition: Op. 25 No 10, Etude in B minor

Quaver b in GC (→GE) & EE1

Crotchet d1 in FE & EE2

Crotchet & quaver in EE3
..

The extension of d1 in the 5th octave and deletion of b in the 6th quaver are the last of the changes, introduced probably in the proofreading of FE, separating an additional melodic line within the octaves. EE2 adopted the changes, yet EE3 – most probably under the influence of GE – reintroduced the b note. Similarly in bar 80.

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Authentic corrections of FE

b. 65

composition: Op. 25 No 10, Etude in B minor

rit. in GC (→GE) & EE3

No indication in FE & EE1 (→EE2)
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category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Authentic corrections in GC

b. 80

composition: Op. 25 No 10, Etude in B minor

Quaver b in GC (→GE) & EE1

Crotchet d1 in FE & EE2

Crotchet & quaver in EE3
..

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Authentic corrections of FE

b. 98

composition: Op. 25 No 10, Etude in B minor

No fingering in GC (→GE1), FE & EE1

Fingering in EE2 (→EE3)
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Nothing proves the authenticity of the fingering added in EE2 (→EE3).

category imprint: Differences between sources

issues: EE revisions

b. 116

composition: Op. 25 No 10, Etude in B minor

..

There are no accidentals before the last octave in the R.H. in GC and EE1 (→EE2). Chopin added the overlooked naturals in the proofreading of FE, they are also in GE and EE3.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , GE revisions , Authentic corrections of FE