Page: 
Source: 
p. 2, b. 25-51
p. 1, b. 1-24
p. 2, b. 25-51
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Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 32

No sign in GC (→GE1) & EE1

 in FE, GE1 & GE2 (→GE3)

 in GE2 (→GE3)

 suggested by the editors

It is likely that by introducing the  sign on the  sign in GC, Chopin wanted to extend the original, half-bar-long pedal. Due to this fact, in the main text we suggest to release the pedal only at the end of the bar; the version is included in GE2 (→GE3). In FE, GE1 and EE2 (→EE3), the pedalling embraced only the 1st half of the bar, which in the case of GE1 probably results from misunderstanding the sense of the correction described above.

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category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections in GC

notation: Pedalling

Missing markers on sources: FE1, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3