mUltimate Chopin

Op. 25 No 9, Etude in G♭ major

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Page: 
Source: 
p. 1, b. 1-24
p. 1, b. 1-24
p. 2, b. 25-51
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Importance
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Important
Main
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  b. 11-12

 in GC (→GE)

No sign in FE & EE

The missing hairpins in FE and EE seem to be Chopin's oversight here at the time of preparing Stichvorlage manuscripts.

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Articulation, Accents, Hairpins

Missing markers on sources: FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3
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