Page: 
Source: 
p. 3, b. 23-36
p. 1, b. 1-10
p. 2, b. 11-22
p. 3, b. 23-36
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 28

in A (→GE) & EE1

No marking in FE & EE2 (→EE3)

in FED

The dynamic indications of the final part of the Etude were almost certainly added by Chopin to the three, generally finished, Stichvorlage manuscripts. In bars 28-31, EE1 transferred the most elaborately developed version with  in bar 28 and diminuendo in bars 30-31, A (→GE) includes only , while FE, devoid of indications, remained in the shape preceding the additions. Circa 10 years after the publication of the Etudes, Chopin added here  in a pupil's copy (FED), which, according to us, is to be considered as an alternative dynamic concept and not a conclusive change.
Deletion of  in EE2 (→EE3) is most probably related to the addition of fingering after FE.   

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies, Annotations in FED, Authentic post-publication changes and variants

notation: Verbal indications

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3