Page: 
Source: 
p. 2, b. 11-22
p. 1, b. 1-10
p. 2, b. 11-22
p. 3, b. 23-36
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Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 19

 in A (→GE) & EE3

 in FE

 in EE1 (→EE2)

 suggested by the editors

The type of the sign indicating the local culmination and its exact placement raise some doubts here:

  •  present in A (→GE) could have been replaced with  in the base texts to FE and EE1, which, in this situation, would have been Chopin's latest decision;
  • the  signs in FE and EE1 (→EE2) are placed slightly later and in different places, hence one can suspect an inaccurate reproduction of Chopin's notation or its misunderstanding.

In the main text we suggest a  as a result of Chopin's possible correction, placed in accordance with the musical sense at the beginning of the bar.

EE3 adopted the version of GE.

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category imprint: Interpretations within context; Differences between sources

issues: fz – f, Centrally placed marks

notation: Verbal indications

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3