Page: 
Source: 
p. 2, b. 11-22
p. 1, b. 1-10
p. 2, b. 11-22
p. 3, b. 23-36
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 19

Staccato dot in A, FE & EE1 (→EE2)

No mark in GE & EE3

GE overlooked the staccato dot at the beginning of the bar. It is most probably a result of an erroneous interpretation of Chopin correction in A. The dot was also deleted in EE3, perhaps as a side effect of adopting the version with the octave from GE.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Errors resulting from corrections, Errors in GE

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3