Page: 
Source: 
p. 1, b. 1-10
p. 1, b. 1-10
p. 2, b. 11-22
p. 3, b. 23-36
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 9-10

Fingering (2-5, 2-5) in FED

Fingering (5, 2-5) in FES

No teaching fingering

One can wonder whether the 5th finger written in FES means the same fingering Chopin wrote in FED. In other words, whether the fingering of the d2-b2 sixth is to be understood as 2-5 or 1-5. According to us, the first possibility is much more likely, hence in the main text we do not differentiate between these indications.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Annotations in teaching copies, Annotations in FED, Annotations in FES

notation: Fingering

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3