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p. 1, b. 1-10
p. 1, b. 1-10
p. 2, b. 11-22
p. 3, b. 23-36
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 1

a-ein A (→GE) & FE

g-ein EE

In A the bottom note of the 4th quaver was corrected by Chopin from g to a (similarly in bars 2, 5, 6 and 22). In the 1st bar, the result of this correction is not that obvious, at the first sight, and the version of EE proves that probably the copyist preparing the base text for this edition misinterpreted Chopin's intention.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Corrections in A, Errors resulting from corrections, Accompaniment changes

notation: Pitch

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3