mUltimate Chopin

Op. 25 No 8, Etude in D♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 3, b. 23-36
p. 1, b. 1-10
p. 2, b. 11-22
p. 3, b. 23-36
A - Autograph
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Undo Clear
Prezentacja
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copy link PDF A - Autograph

  b. 24-25

Pedal sustained in A (→GE) & EE1

Pedal change in FE & EE2 (→EE3)

The change of pedal marked only in FE is opposed to the harmonic pedalling prevailing in this Etude and generally used by Chopin. Assuming an unidentified misunderstanding, to the main text we adopt the version of A (→GE) and EE1 (the later EE repeat the notation of FE), in which the entire spread chord resounds on pedal.

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions

notation: Pedalling

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3
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