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p. 3, b. 23-36
p. 1, b. 1-10
p. 2, b. 11-22
p. 3, b. 23-36
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 25-26

Single notes in A (→GE) & EE1

Octaves in FE

Octaves in EE2 (→EE3)

Chopin doubled the bass progression in the bottom octave in the proofreading of FE (cf. bar 19, in which Chopin also reinforced the bass note, adding an octave). The change, which is certainly to be considered to be final, was also introduced – in the form of added quavers under notes – in EE2 (→EE3).
The missing staccato dot (as well as accent) in FE is most probably a result of an imprecisely performed proofreading.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Accompaniment changes, Authentic corrections of FE, Bass register changes

notation: Pitch

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3