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Issues : GE revisions
b. 1
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composition: Op. 25 No 8, Etude in D♭ major
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In the main text we give the title and dedication after the title page of the entire opus in A and FE. category imprint: Differences between sources issues: EE revisions , Dedications , GE revisions |
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b. 1-6
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composition: Op. 25 No 8, Etude in D♭ major
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Chopin's intention of providing all bass notes with staccato dots remains beyond any doubt, despite the fact that in A the last dot is missing (or it is written in an unclear manner). It is FE and GE2 (→GE3) that include the totally correct notation in this respect. In the remaining editions, the notation is more or less inaccurate – GE completely omits the dots in these bars, while EE puts them only next to a few notes, rather accidentally (one dot was omitted in each of the following bars: 1-3 and 5-6). category imprint: Differences between sources issues: Errors in GE , GE revisions , EE inaccuracies , Inaccuracies in A |
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b. 3
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composition: Op. 25 No 8, Etude in D♭ major
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There is no accidental before the bottom note of the 10th sixth, which makes it to be interpreted as g2. The flat added here in GE2 (→GE3) cannot come from Chopin, yet, one has to admit that a similar addition in many other places would be absolutely accurate – cf. the adjacent note. Possible doubts concerning the sound of this note is dissipated by the category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 3
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composition: Op. 25 No 8, Etude in D♭ major
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In A (→GE1), FE and EE there is no category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Errors of A |
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b. 3
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composition: Op. 25 No 8, Etude in D♭ major
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |