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Issues : Errors in GE
b. 1-6
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composition: Op. 25 No 8, Etude in D♭ major
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Chopin's intention of providing all bass notes with staccato dots remains beyond any doubt, despite the fact that in A the last dot is missing (or it is written in an unclear manner). It is FE and GE2 (→GE3) that include the totally correct notation in this respect. In the remaining editions, the notation is more or less inaccurate – GE completely omits the dots in these bars, while EE puts them only next to a few notes, rather accidentally (one dot was omitted in each of the following bars: 1-3 and 5-6). category imprint: Differences between sources issues: Errors in GE , GE revisions , EE inaccuracies , Inaccuracies in A |
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b. 3
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composition: Op. 25 No 8, Etude in D♭ major
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GE1 has a g category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error |
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b. 3
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composition: Op. 25 No 8, Etude in D♭ major
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In A (→GE1), FE and EE there is no category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Errors of A |
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b. 7
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composition: Op. 25 No 8, Etude in D♭ major category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions |
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b. 7-8
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composition: Op. 25 No 8, Etude in D♭ major
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In A, FE and EE1 there is no cancellation of a few previously raised notes in chromatic passages:
The remaining editions introduced additions to these patent oversights (some of all): category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Errors of A |