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Issues : Inaccuracies in GE
b. 7-8
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composition: Op. 25 No 8, Etude in D♭ major
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The sources generally do not differ in the moment of starting the category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 10
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composition: Op. 25 No 8, Etude in D♭ major
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In A (→GE1) and FE there is no
We also add a category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Accidentals in different octaves , Inaccuracies in GE , GE revisions |
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b. 25
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composition: Op. 25 No 8, Etude in D♭ major
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The long accent in A (→GE1) was added in GE2 (→GE3), as well as in EE, as short. FE omitted the sign, which may be an inaccuracy resulting from introducing changes in print (similarly as in the case of the staccato dot – see the adjacent note). category imprint: Differences between sources issues: Long accents , Errors in FE , Inaccuracies in GE , EE inaccuracies |
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b. 26-27
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composition: Op. 25 No 8, Etude in D♭ major
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Placement of decresc. – see the note on category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 32-33
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composition: Op. 25 No 8, Etude in D♭ major
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The partially different fingering of EE (the differences include 5 sixths, from the 6th to the 10th quaver in bar 32) is uncomfortable to such an extent that one can suspect a mistake of the engraver who could have, for example, mistaken the groups of quavers – he wrote the fingering of the 9th and 10th sixths over the 6th and 7th quavers, while he placed the numerals foreseen for the 5th-7th sixths over the 8th-10th quavers. category imprint: Differences between sources issues: Inaccuracies in GE , Errors in EE , Differences in fingering , Authentic corrections of FE |