Issues : Errors in FE
b. 3
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composition: Op. 25 No 8, Etude in D♭ major
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In A (→GE1), FE and EE there is no returning f2 in the penultimate sixth. This patent error was noticed only in GE2 (→GE3) on the occasion of a thorough revision of accidentals – cf. the notes concerning the natural and flat before the previous sixth. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Errors of A |
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b. 6
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composition: Op. 25 No 8, Etude in D♭ major
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FE features e2 as the top note of the sixth beginning the 2nd half of the bar. This patent error was corrected in both pupils' copies, including annotations in this Etude – FED and FES. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FED , Annotations in FES |
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b. 7-8
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composition: Op. 25 No 8, Etude in D♭ major
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In A, FE and EE1 there is no cancellation of a few previously raised notes in chromatic passages:
The remaining editions introduced additions to these patent oversights (some of all): category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Errors of A |
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b. 25
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composition: Op. 25 No 8, Etude in D♭ major
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The long accent in A (→GE1) was added in GE2 (→GE3), as well as in EE, as short. FE omitted the sign, which may be an inaccuracy resulting from introducing changes in print (similarly as in the case of the staccato dot – see the adjacent note). category imprint: Differences between sources issues: Long accents , Errors in FE , Inaccuracies in GE , EE inaccuracies |