mUltimate Chopin

Op. 25 No 7, Etude in C♯ minor

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Page: 
Source: 
p. 2, b. 17-28
p. 1, b. 1-16
p. 2, b. 17-28
p. 3, b. 29-49
p. 4, b. 50-68
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 24

 in GC (→GE)

Short accent on d1 in FE & EE

Possible long accent

The sign in GC does not seem to be an accent on d1 – it is clearly placed between the notes, rather closer to the c1 quaver and it is clearly symmetrical in relation to the  hairpins in bar 23. Short accents visible in this place in FE and EE suggest, however, a possibility of an inaccurate reproduction of the notation of [A] by Gutmann. Therefore, we suggest a long accent as an alternative interpretation of the notation of all sources. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: Long accents

notation: Articulation, Accents, Hairpins

Missing markers on sources: GC, GE1, EE3, EE1, EE2, GE2, GE3, FE1, FE2, FED, FEJ, FES, GE1a
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