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Source: 
p. 1, b. 1-16
p. 1, b. 1-16
p. 2, b. 17-28
p. 3, b. 29-49
p. 4, b. 50-68
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 12

Demisemiquaver in GC (→GE)

Semiquaver in FE & EE

It is unclear how the difference in the rhythm in this place was created, however, none of these two versions seems to be erroneous. The notation of EE indicates a possibility of the engraver's error – the bsemiquaver is placed closer to the bar line than the g semiquaver, therefore, it is possible that in the base text to EE the rhythm was the same as in GC. It also cannot be excluded that the additional dot and beam were added in GC by Chopin, although the graphical image of the notation rather does not confirm it. Due to the above ambiguities, in the main text we give the double dotted rhythm, present in the base source (GC).

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes, Authentic corrections in GC, Dotted or even rhythm

notation: Rhythm

Missing markers on sources: GC, GE1, EE3, EE1, EE2, GE2, GE3, FE1, FE2, FED, FEJ, FES, GE1a