mUltimate Chopin

Op. 25 No 7, Etude in C♯ minor

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Page: 
Source: 
p. 4, b. 50-68
p. 1, b. 1-16
p. 2, b. 17-28
p. 3, b. 29-49
p. 4, b. 50-68
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 52

Taking into account the highly predictable structure of the chromatic scale, we do not include cautionary accidentals in it. FE includes a  before F, while GC (→GE1) also before f. Each of these versions of notation can be authentic. In turn, seven cautionary signs in EE (F, A, B, c, f, a, c1) and nine in GE2 (→GE3) – featuring also e and b – are certainly a result of editorial interventions. 

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, GE revisions, Cautionary accidentals, FE revisions

notation: Pitch

Missing markers on sources: GC, GE1, EE3, EE1, EE2, GE2, GE3, FE1, FE2, FED, FEJ, FES, GE1a
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