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Issues : Errors in EE
b. 4
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composition: Op. 25 No 6, Etude in G♯ minor
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FE, EE1 and GE1 misinterpreted the abbreviated notation of FC and of the remaining Stichvorlage manuscripts, giving the 2nd, 3rd and 4th groups of semiquavers without any accidentals. The mistake was corrected in EE2 (→EE3) and GE2 (→GE3). Similarly in almost all analogous places – cf. bars 8, 20 and 36, as well as 12 and 40. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Inaccuracies in FC |
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b. 5
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composition: Op. 25 No 6, Etude in G♯ minor
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The sources differ in notation of the accidentals on the 1st and 4th semiquavers of the last group. Due to the regularity of the figurations, it can be assumed that Chopin was thinking about b
category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in EE , GE revisions , Errors of FC |
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b. 7-8
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composition: Op. 25 No 6, Etude in G♯ minor
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In front of the 2nd semiquaver in each of these bars, there are no accidentals in the sources except for naturals added in GE2 (→GE3), which cannot come from Chopin. Therefore, it seems that the top note is supposed to be a category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Errors in FE , Errors in EE , Errors in GE , GE revisions , Last key signature sign , Errors of FC |
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b. 8
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composition: Op. 25 No 6, Etude in G♯ minor
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Same as in bar 4, FE, EE1 and GE1 misinterpreted here the abbreviated notation of FC and of the remaining Stichvorlage manuscripts, giving the 2nd, 3rd and 4th group of semiquavers without any accidentals. The mistake was corrected in EE2 (→EE3) and GE2 (→GE3). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Inaccuracies in FC |
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b. 12
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composition: Op. 25 No 6, Etude in G♯ minor
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The sharp returning c category imprint: Differences between sources issues: EE revisions , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Authentic corrections of FE , Errors of FC |