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Issues : Authentic corrections of FE
b. 4
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composition: Op. 25 No 6, Etude in G♯ minor
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The fingering under the first three semiquavers in the bar was added by Chopin most probably at the time of proofreading FE. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 4
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composition: Op. 25 No 6, Etude in G♯ minor
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Chopin added the fingering digit over the last semiquaver probably in the proofreading of FE. The same digit added in EE2 (→EE3) is most probably an editorial revision, introduced probably on the basis of FE. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 5
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composition: Op. 25 No 6, Etude in G♯ minor
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The chromatic third progression has two fingering versions in the sources:
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Differences in fingering , Authentic corrections of FE |
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b. 8-10
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composition: Op. 25 No 6, Etude in G♯ minor
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The fingering of FE, undoubtedly coming from Chopin, is almost certainly an addition introduced in the proofreading of this edition. The fingering was repeated in EE2 (→EE3), adding a '1' at the end of bar 8 (evident mistake). category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 12
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composition: Op. 25 No 6, Etude in G♯ minor
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The sharp returning c category imprint: Differences between sources issues: EE revisions , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Authentic corrections of FE , Errors of FC |