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Issues : GE revisions
b. 36
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composition: Op. 25 No 6, Etude in G♯ minor
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Same as previously, in FE, EE1 and GE1, the abbreviated notation of FC and remaining Stichvorlage manuscripts were misinterpreted in FE, EE1 and GE1, which gave the 2nd, 3rd and 4th group of semiquavers without any accidentals. The mistake was corrected in EE2 (→EE3) and GE2 (→GE3). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Inaccuracies in FC |
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b. 36-37
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composition: Op. 25 No 6, Etude in G♯ minor
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The missing slur over the D category imprint: Differences between sources issues: GE revisions , Inaccuracies in FC |
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b. 40
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composition: Op. 25 No 6, Etude in G♯ minor
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Based on the notation of FC, in this bar Chopin used in the manuscripts a more accurate notation than in the previous, similar places (c.f., e.g., bar 4) – apart from the first group of semiquavers, he wrote with notes also the second, together with the necessary accidentals. In spite of that, GE1 did not repeat the signs in the 2nd half of the bar, which was corrected only in GE2 (→GE3). category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 42
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composition: Op. 25 No 6, Etude in G♯ minor
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The natural lowering a category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals |
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b. 47-48
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composition: Op. 25 No 6, Etude in G♯ minor
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The notation of accidentals in the sources shows significant inaccuracies and differences, which, however, do not cause any difficulties in interpreting Chopin's intentions. Due to the use of an octave sign in some of the sources, it is also unclear which signs have to be considered as necessary. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies , Inaccuracies in FC |